Johnoy Danao sells the music in first mainstream album

Dubbed as the must-have OPM album of the year, Johnoy Danao’s first mainstream album Samu’t-Sari boasts of songs that tackle love in its different faces. This is Johnoy’s first album under a major record label, and he chose Universal Records to take care of his songs.

“Releasing an album independently was a great experience for me,” admits Johnoy. “But, I realized that working with a label, gives me a chance to reach a wider audience. Limited din kasi talaga pag ikaw lang mag-isa. Kahit anong sipag mo, may hangganan sa maaabot na tenga.”



Johnoy, who has established his own strong following in his years as an independent artist, is proud to be in the Universal Records’ roster of artists, which includes OPM President Ogie Alcasid and Noel Cabangon.

“I had a very pleasant experience working with Universal Records’ resident producer Ito Rapadas when we we were working on last year’s PhilPop album,” says Johnoy when asked why he chose Universal Records to be his first mainstream label. “Plus, I really respect the artists in the roster. They are the people I look up to. I am in good company.”

When asked what the buyers of his album should expect from the album, he quips, “Samu’t-Sari is my way of introducing my music to a wider audience.  It is never about me, my face, the visuals. It is all about the music, the voice.”

Johnoy adds, “iba’t-ibang kuwento ang napapaloob sa album na ‘to. Iba’t-ibang tunog rin ang maririnig. Pero, lahat nasa iisang tema ng pag-ibig. Kasama din dito ang mga Beer at Sundo, na parehong paboritong i-request sa akin sa mga gig.”

When asked why, of all OPM songs, he chose Beer and Sundo to be included in the album, he replies, “Ang ganda ng mga kantang ‘to. Ito yung mga kanta na alam mong pinag-isipan. Ito yung kanta na minsan iniisip ko na, ‘sana ako nagsulat nito.’”

Johnoy describes the entire album as easy listening, perfect for sentimental moments or road trips.

Johnoy considers Buntong-hininga and Bakuran two of his favorite cuts from the album.

“Buntong-hininga kasi magaan, maaliwalas, at napapanahon sa init ngayon,” describes Johnoy. “Bakuran (his collaboration with Aiza Seguerra) naman at sumasalamin sa kung paano tayo lahat nagmamahal.”

Johnoy is also happy that his version of the 2013 PhilPop entry Kung Di Man is included in the album. The song, which was interpreted by Ney Dimaculangan in the festival, was 1st runner-up in last year’s PhilPop.

Ikaw At Ako, perhaps the most notable Johnoy Danao song, is also included in the album. The said song was used as theme in one of the episodes of Maalaala Mo Kaya.

Johnoy expressed pride over his Samu’t-Sari album because he added different elements in every song in the album.

He cites, “we used Tuba in Salubong, Bassoon for Malayang Bilanggo… All songs have their own individual highlights.”

Gloc-9’s Myx Music Awards bodes well for mainstream Pinoy music



Gloc-9 won four major awards in the Myx Music Awards 2014 (MMA2014), the most for any artist who was nominated.

But what is more important about this win, is not so much the fact that Gloc-9 won in four out of six categories that he was nominated in, nor that he won four times more than any other artist.

It is that Gloc-9 won it for a song like “Magda.”

The idea of Magdalena is not new. The legend that is Freddie Aguilar introduced us to “Magdalena” in the early 1980’s, a folk song about the plight of a girl who was misunderstood because of the work she was forced into doing. In the Aguilar song, Magdalena is seen as “sawimpalad,” living a wretched life, where her story is one of choicelessness.

Gloc-9’s “Magda” does not point a finger at this woman’s life. The songwriter tells this story with compassion and understanding. Spoken from the perspective of her childhood sweetheart Ernesto, the story is allowed its romance, as it is allowed its heartbreak and undoing. Because Ernesto speaks of Magda, we are given the chance to see Magda as a spit of a girl, as someone who left her childhood behind. In the present she is a woman who is trapped in the cage of her own doing.

The song does not judge Magda, as it does make her human. She is treated as solitary and independent, she is allowed her own individuality, her own voice.

This is Gloc-9 at his most creative, where his decision to use another character to speak about Magda allows for a distance, a non-judgmental stance about her character. It is this creativity that was awarded by the MMA this year. But more importantly what they were honoring was this rapper-songwriter-artist’s decision to tell a story we would rather not hear, of a woman we would rather be blind to.

And this is really the value of Gloc-9’s quadruple wins in this year’s MMAs. He won for the song “Magda” in the context of mainstream original Pilipino music that makes hits out of repetitive lovesongs and novelty. He won for “Magda” at a time when the originality and relevance of original Pilipino pop music is being questioned.

Each MYX Music Award is composed of 60% audience votes and 40% artist or peer votes. And on a year when Gloc-9 wins big for a song like “Magda,” we are being told how the audience and the members of the industry as well, are in fact ready for difficult stories and complex songs.

Winning those four MMAs for “Magda,” as such, is not just a measure of Gloc-9 as artist. It is a measure of what the audience of local music is ready for. One hopes original Pinoy mainstream music heeds this call for creativity and relevance.

Tippy Dos Santos sings ‘Dyesebel’ theme

Young singer-actress Tippy Dos Santos has been chosen to interpret Tangi Kong Kailangan, the theme song of ABS-CBN’s newest primetime show Dyesebel. The song was composed by Francis and Carla Concio specifically for the show.

Topbilled by Anne Curtis, Dyesebel premiered last Monday, March 17, with impressive ratings.

“I am so thankful that ABS-CBN tapped me to sing the show’s theme song,” says Tippy. “It’s such a beautiful song – perfect for a fantastic series like Dyesebel.”

As a singer, Tippy interpreted Dati, the grand prize winner of the 2013 Philippine Popular Music Festival, alongside Sam Concepcion and Quest. She will also release her debut album of original songs within the year.

Last year, Tippy starred in the movie musical Idobidoo Bidoo as Tracy Fuentebella, the young lead of the movie. She was paired with Sam Concepcion.

On stage, she played Wendy to Sam’s Peter Pan in STAGES’ production of the well-loved fairy tale.

Currently, Tippy is part of Galema, and the upcoming movie Once A Princess, topbilled by Enchong Dee and Erich Gonzales.

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